creative tuesdays - nursery rhymes

Hello all at creative tuesdays http://www.dottyhill.com/blog/

I am on the road and were it not for a stop in Chattanooga on the way back from Texas to Asheville Nc, I would probably not participate today. Been in cars for 30 hours this week,  man...

Have been all week on the road and all weekend at an art fair which was cool

I am writing on a tablet so don't want to write too much but more later. This is a nursery rhyme we had in Chile, analogous to the black Sheep have you any wool one from Britain.  I am embarrassed at my horse drawing skills which is why I ended u p doing 2.

Have a great day!


This is the song.
http://www.mamalisa.com/?t=es&p=196&c=33
http://www.mamalisa.com/?t=es&p=196&c=33

The words of the song are here, and the link above has some videos of folks performing it

Little White Horse

Canción infantil

(Spanish)

Children's Song

(English)

Caballito blanco,
llévame de aquí,
llévame a mi pueblo
donde yo nací.

Tengo, tengo, tengo,
tú no tienes nada,
tengo tres ovejas
en una cabaña.

Una me da leche,
otra me da lana,
y otra mantequilla
para la semana.

Levántate Juana
y prende la vela,
anda a ver quién anda
por la cabecera.

Son los angelitos
que andan de carrera
buscando la leche,
pa' la mamadera.

Little white horse,
Take me away.
Take me to the town,
Where I was born.

I have, I have, I have,
You have nothing.
I have three sheep,
In a cabin.

One gives me milk,
Another gives me wool,
And another, butter,
A whole week's worth.

Get up, Joan,
And set fire to the candle,
Go see who's walking
On the headboard.

It's the little angels
Who go running
Looking for milk
For the bottle.

PPF - Ocean painting - finally!!!

Hi everyone at Paint Party Friday!

As always so sorry to have been gone for so long  but I did want to share that finally I managed to finish the giant ocean painting I had been talking about for a full year!!! This is a picture of it.

I actually finished it like a month ago (or maybe it was only a week? hard to keep track!!) but for some reason once you lose the thread of blogging it's hard going back. In any event, here it is.

Some lovely painting people I have on FB and G+ may have already seen this, and the WIP process. The process was fun! I began weirdly not committing to technique, with some weird garish alizarin crimson and olive green in the ocean and somehow, using linseed oil, managed to turn it into an indirect painting, which is what I wanted from the getgo. The only real impasto parts are the waves/froth of the ocean and some in the details re. the castles and such. And it is a real place called Vina del Mar from Chile. A nice town to visit. Got to view lots of photos to reaquaint myself!

Here is a link of the WIP from a Facebook album for all so inclined - if you do stop by do say hello!

I'm happy to be back! I'm sorry to have less time for this nowadays but I will strive to visit as many as I can, and will always 100% guaranteed visit/comment back on everyone who here visits.

Creative Tuesdays - Voyage

Hi all at Creative Tuesday!

what better homage to Voyage than a wonderful ocean landscape sketch?

I am here continuing my studies for the large painting that it seems, at this time, will never actually be started, am having so much fun with the preliminaries!

This is a sketch I made of an oil painting by the British born painter THomas Somerscales who, by a weird twist of fate, spent virtually all of his career in little-known Chile, south America. As such, he is no doubt not nearly as famous as he probably deserves to be. Here is a wiki link in English, which says practically nothing. The Wiki entry in Spanish is more forthcoming.

The circumstance of Voyage is, of course, represented by the boats. As well, it is represented in the life of a British painter, through some random voyage, having come to inhabit and belong to as different a place as you can, if you're from England (probably). At least a handful of British artists and other sorts decided to migrate to Chile, though, so it can't have been that lonely.

original by Somerscales

Speaking of voyage, Chile is actually sort of rife with it. Heaps of people either coming and going - Chile has, bizarrely enough, the 3rd largest population of Croatians in the world - Chile also has a huge percentage of expat Greeks. Also a large collection of Palestinians, Armenians, Swiss, Italians, Hungarians, Russians, Spaniards, British, as well as any number of native Amerindians and travellers from other places. From the 1840s on, a large percentage of Germans went over, and this group has largely contributed to the cultural & ethnic genotype of what one might call Chilean society ever since. During WWII you get the curious phenomenom of Jews fleeing Hitler, and some 10 or 20 years later you get the phenomenom of ex Nazis fleeing a post Nurenberg Trial Europe. What a confused mishmash! I wonder if they all ever met in the streets of Valdivia and if so, what did they say to each other....

Same thing happened in Sweden and nearby countries. Elite CHileans fled the communist elected president Allende in 1970, and 3 years later, Allende's advocates fled when the wheels of history turned against them. What did a 'facho' anti Allende say to an Allende advocate whenever they happened to meet at the market somewhere in Östermalm?
Here, an art critic's rendition of Somerscales' contribution to ocean landscapes:

Nos instalan en alta mar. Ahí respiramos ráfagas de humedad salada, en tanto que consiguiéndose así el acorde cromático preciso con los azules intensos del abismo acuático. Están "Fuera de Valparaíso";"Homeward Bound", el gran lienzo del Congreso Nacional, etc. Para sus versiones de "El Estrecho de Magallanes" cambia la paleta: verdes y azulosos se contraponen a picachos nevados y a cielos henchidos de nubes lluviosas. Unos y otros rescates del mar nuestro, por supuesto, transmiten la circunstancia climática de latitudes diferentes.

a rough translation would be:

The best moments of Somerscales take us to the high seas. There we breathe bursts of salty moisture, insomuch as the winds blow up voluminous quantities of orange, managing thus the correct chromatic precision with the intense blues of the aquatic abyss. There are "Outside Valparaiso", "Homeward Bound", the great canvas at the National Congress, etc. For his version of "THe Strait of Magellan' he changes his pallete: greens and blues are counterpoint to snowy peaks and skies swollen with rain-soaked clouds. One or another rendition of our ocean, of course, transmit the climactic circumstance of different latitudes.
I really like Somerscales work in general, from what I've seen. Doesn't have quite the scope of Turner (but then, who does) but he does make some magnificent, dramatic seascapes.
Hope all y'all having a good one!

ppf - studies of oceans and waterways various

Hi all at PPF!

Here I am continuing on beachy themes, all which I have mostly developed already on charcoal. THe one here is a beach in the northern town of Iquique in Chile - an interesting place way up north, near Peru, and very near one of the dryest deserts in the world, the Atacama. It's oil on some crazy oil painting paper I got for Xmas which seems to work out OK though is somewhat drying.

This one is the oil painting rendition of a sketch I had already composed in charcoal, and which I had posted for Creative Tuesdays and can be seen - in terms of info on the piece and the town it represents - here. BTW, Creative Tuesdays is a greatly fun blogging co-op! Biweekly challenges/prompts are given and we are then prompted to channel all our ideas into a common theme. Visit here for more. The piece is done on oils on a gessoed wood panel, reministent of my last year's painting project.

Hope all are having a great weekend! Will strive to look at everyone by end of Sunday.

SS - more mountain ocean sketches

Andes Mt

Torres del Paine, Andes Mt

Pier valparaiso

Vina del Mar, beach town

HI all at Sunday Sketches!

I am continuing to show the sketches I am using to plan & finish a large painting of the ocean I am to do. An continuing to sketch out different scenes of areas I have been to in the past, and some that I have not.

These mountain and scene sketches are from Chile - from the North areas, through the South. Vina (the last image) is from a wonderful city we loved to hang out in the summer - parties, swimming in the ocean, arts vendors, mimes, etc ---

Reminds me a bit of where I live now I suppose (Asheville) only... minus the ocean

I wanted the moment to state that it takes courage to be an artist - I'm sure everyone understands this! Not only because expressing oneself expresses vulnerability, but because one has to always confront one's own ineptitude and failures - I have painted 4 watery things (no photos yet) and each was very frustrating and failed - but the last one was more rewarding.

Confronting one's own fear in the hopes of getting better takes courage.

Also have quit smoking for the 13th time in 3 years - so far am 3 or 4 days along, and the result is something like a permanent state of PMS - eating lots of crap & being in a horrid mood. The most I've remained quit has been 3 months - wonder how long it will go this time?

I was hoping to win this blender at a sweepstakes, but it didn't work out :( Ninja Kitchen System - Gifts for Bride & Groom (Google Affiliate Ad) maybe next time

Hope all are having a great weekend!

PPF - Ocean painting updates

Nat'l Geo water acrylic

Hi all at Paint Party Friday! Am still working through this process. I am taking a dual approach of seeking to paint water and sketch landscape elements I might use in the final piece.

Am having fun but being frustrated by the water abstracts at the same time. The one at left is actually done in acrylics (since I had to be out of the house that day), and based of a cool National Geographic photography book we had .

All the drawings are charcoal.

Andes mountains

I feel sort of behind in this process. Unfortunately, last week I was involved in a lengthy, painful slide-presentation project that consumed all my time, and a big chunk of time during the summer is devoted to selling art at fairs anyway - I have still to clear the final drawing, but am making progress as much as possible.

possible scenario

I will share more on Sunday, but for now this is what I am up to! Hope all are having an awesome time, and hope to catch y'all by Sunday eve at the latest! Go art!

BTW- I can't resist, I though painters would LOVE and APPRECIATE the sight of this painting elephant --  http://www.youtube.com/watch?v=He7Ge7Sogrk

video below as well

it is absolutely adorable! I think this is the only sort of animal who can do this - though maybe different sorts of simians can as well.

Valparaiso composite

Happy PPF!!

Revisiting old works: Atacama then and now

Back in 2006 I cobbled the following painting together, and called it Atacama, a place I've only, alas, gotten to see the mere outlines of, thanks to a random outing to the city of Copiapo with family members 10 years before the creation of this work. I was not particularly remembering that particular outing, which involved hunting clams by the seashore on our way north, a storied and hilarious journey inside a creaky winnebago accompanied by step sibling Francisco (recently married... how time goes by...) the youngsters (one now completing passage at the Naval Academy ... time does go by indeed!), and Los Tres (tape deck.. no MP3s!! Ancient!!) , and plenty of cachaça and.. of course... red wine. Rather, something of the arid colours of the piece itself reminded me of the Northern Chile desert. I hadn't even thought about any of the other aspects of that trip until I sat down to relate this.

In any event, this 3 foot x 3 foot landscape begun as a school project for a Tim Flowers drawing class. Random driftwood was the subject matter, or, to be more exact, the picking of a subject matter and developing it across a whole semester. Anyone who know anything about me and Jim, it's that WE HAVE US SOME WOOD. This is part of the reason we are developing the concept of the Homily Stick, among other things - but I digress.* The drawing part (floating woods in a yellow-blue background) was something of a culmination of a semester's work - possibly uninteresting and unremarkable in itself as an artwork, but OK enough for a harried last-minute effort. The piece since then evolved when I affixed the finished, coloured drawing onto an abandoned canvas found on the side of the road of the never-forgotten Oakhurst neighborhood of Decatur.

The piece lived on in this way for years until a sudden impulse of late led me to affix all sorts of whimsical details, glitter, fabric, decoupaging of all sorts. I was revisiting lots of old pieces - some which were frankly unresolved, some which required minor tweaking, others which I randomly decided needed revisiting, such as this one.

Part of the impetus was finally unearthing a lot of the random playing cards, bits of ribbon, old-timey Victorian calendars and other assorted hodgepodge that artists tend to acquire in hopes that someday they will fit onto a piece - and the truth is, the original image always looked a bit plain, a bit severe to me. I feel I managed to integrate more of the background with the foreground, and added a bit of zip, zap and zing. I like the way the foreground was extended in the yellows, grounding the drawing more onto the wacky outer space quality of the original discarded canvas.

The last thing I want to do, as soon as I get some funds, is encase the whole thing in a layer of EnviroTek epoxy resin, though I balk at this seeing as the interaction of chemicals and elements can change things in unexpected - and sometimes undesirable - ways.

In any event, the new and improved version can be seen here.

*everyone forgive my trucculent and spacey prose - I must be undergoing an unfortunate Mercury transit.