So... holiday songs it is, eh?
I must admit I am not a huge advocate of holiday songs, I have tended in life to favour Hitchens' opinion regarding the "tinny, maddening, repetitive ululations" that permeate the atmosphere this time of year though, like with most things, I have become more jolly and tolerant with age, even about that.
So saying, there are not a lot of holiday songs I can either conjure up in their entirety nor express anything about, though while I was looking at this riddle the absurd song 'Grandma got run over by a reindeer' came to mind. If I'm ever going to advocate for a holiday song, it would have to be one to so gleefully NOT take itself - or the season - seriously.
Meanwhile, I learned a few things about reindeers:
Reindeer have specialized noses featuring nasal turbinate bones that dramatically increase the surface area within the nostrils. Incoming cold air is warmed by the animal's body heat before entering the lungs, and water is condensed from the expired air and captured before the deer's breath is exhaled, used to moisten dry incoming air and possibly absorbed into the blood through the mucous membranes.
Reindeer hooves adapt to the season: in the summer, when the tundra is soft and wet, the footpads become sponge-like and provide extra traction. In the winter, the pads shrink and tighten, exposing the rim of the hoof, which cuts into the ice and crusted snow to keep it from slipping. This also enables them to dig down (an activity known as "cratering")[19][20] through the snow to their favorite food, a lichen known as reindeer moss. The knees of many species of reindeer are adapted to produce a clicking sound as they walk.[21] This is why they are such successful winter animals!
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I grew inspired by contemplating the dizzying portrayals of motion of the Futurists in general, and Balla's 'Dynamism of a Dog on a Leash' (1912) in particular.
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| Marcel Duchamp. Nude Descending a Staircase, No. 2 1912. Oil on canvas. 57 7/8" x 35 1/8" |
According to Tom Lubbock, upon discussing the above painting, Balla's painting is particularly striking because:
Their legs have multiple positions, indicating brisk walking. They should be tripping along the pavement. Their bodies, on the other hand, have only one position in the picture, so their bodies are not advancing accordingly. If they're moving at all, it's much slower than the speed at which their feet would seem to be carrying them.
In my silly sketch I managed to also show the pathos of the attack, the fall, and the descent of the milk jug and glass, to its final conclusion. Yet the bodies are mostly stationary, albeit holding dynamic, awkward poses that portray a narrative of subjugation and domination - beast against (wo)man.It's an awkward sense of movement that results. The lady's bunch of hard heels, scrumming under her skirts, promises a general trip-up. (An apparently unnecessary group of four kick out in front). The dog, meanwhile, gives the impression of frantic scampering. Its legs thrash beneath a body that makes no progress at all.
Hope all have had great holidays!
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